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time will come when you ll want to set aside the B zier Pen Tool and the Fountain fill your layout for a brochure, for example, is all done, and now you want to add a photograph of your product front page and center The good news is that CorelDRAW can import just about any bitmap file from your camera, a scan of a photo, a painting you created in PHOTO-PAINT, an image you snagged of your client s website you name it, and you can crop, rotate, and perform enhancements on it right within CorelDRAW This chapter takes you through the structure of pixel-based images (AKA bitmaps ): how you can get them to print well, what you can and cannot do with them, special properties, and the difference between this type of graphic and the one you re more accustomed to, vector artwork Then you ll work with some photographed and created bitmap images to learn how to do some basic and some fairly advanced image editing and enhancing Putting a photo into a CorelDRAW document isn t very rewarding unless it s a really good photo, and you feel confident it will print well This chapter delivers the goods on the whats, whys, and whens for bitmap importing, finessing, and integration to make your documents come alive and communicate

Many of us take the structure of a pixel-based image for granted, without a lot of concern over its structure We take a photograph with our megapixel camera, we copy the image to hard disk as a JPEG, we email it, and that s the end of the story However, if you want to do something with a digital image, such as incorporate it into a flyer, crop it, resize it, or put something else into it within a CorelDRAW composition, this is only the beginning of the story of pixel-based images and their manipulation Without a cursory understanding of how pixel-based images are structured, you won t be able to successfully do as many things as you d like to with them in CorelDRAW Therefore, the following sections dig a little into what goes into a pixel-based image, so you can get more out of them as covered in the rest of this chapter

When you are pinpointing what it is you are most interested in becoming and what you d like to spend your life doing, be honest with yourself Acknowledge realistically where you are on the learning curve relative to where you want to be Accept your shortcomings and weaknesses Discover your gifts by excavating your strongest, most genuine interests and talents, without regard to what your parents, your friends, or other outside influences think you d be good at Explore your interests thoroughly, and imagine what it would be like to live those interests every day Before you can experience a higher calling, there is an inside-out process that must take place Start the process by identifying your strongest interests and framing them as your emotional and intellectual competencies Allow these competencies to lead you toward your greatest passion and let your passion guide you toward your dreams Then ask yourself this question: Is this at all realistic If the answer is yes, you have found your authentic calling

The data sector is concluded with an additional code: 4 bytes consisting of an error detection code

Although there are two fundamentally different types of graphics you can work with on a personal computer vector graphics and pixel graphics actually 100 percent of what you see onscreen is a pixel-based graphic Your computer monitor has no easy way to display vectors as vectors, so even when you work with paths in CorelDRAW, what you re seeing onscreen is a pixel-based representation that CorelDRAW draws to your screen on-the-fly This truth is not presented to confuse you, but rather to get you thinking more about pixels as an art form and as a tool Vector artwork, the kind of art you create in CorelDRAW, is resolution independent, a term you ll hear a lot, particularly if you re around programmers Resolution independent means that the art you create in CorelDRAW can be scaled up and down, rotated and distorted every which way, and it still retains focus and its structural integrity Vector artwork can be boiled

CHAPTER 26:

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The organization of the bytes within a DVD-ROM data sector is shown in Figure 4 - 1